Cybele Lyle & Jocelyn Saidenberg
Excerpts from IF AN ELSEWHERE (The Burrow)
Also Outside At the crossroads a wayward gesture forwarding us on to a selfsame burrow waiting for those who describe This burrow’s night or the hourless place or the unplaced hour or indirection or out of place & in time with or whenever holed up with B in B’s home, B’s, or B’s burrow, B’s her along with us being P & me Our burrow practicing at origins & like that B’s dwelling, this burrow, she occupies much thought also much planning, an all expense of energy is the understatement she details Save for the momentary subterranean stillness though inexorably broken by her own deception by her owning description & intersections For if B be growing old, be getting on not as strong as most as the others, those others, not an us, not a her either, but in particular those who are all enemy are countless not even excepting the tiny ones insignificant pips whose work B benefits from for in slender ways devouring just enough & no more Wherefore, our motto, once being B’s mantra May we be omnia contra omnis May we both unthing our abode & belong there She who gestures & who signals if ever possible in the consummation of burrowing—B’s own home—but not yet she signals
The Making of Us In reflection & in sleep loosening B toward those poor wanderers who we once were, B, P, & me, the exceptions so beings excepted from them having become the we who then became an us a B & a P & a me Along the forest paths along the distant roadways & in the woods deep within our woods describing not those others or these elses those wood wandering them who must crawl into piles of leaves for relief from the cold or who pile up with bands of comrades there yet unawares delivered to all the perils & threatening forms from within & without in concert symbiotically witlessly waiting This is what P will describe in precious detail when next we meet & I then will record for B incising while next & when forcing the lines into which & not who
Fearing Words But as B well knows & as B has recounted to me so often & to P the others are not only just outside or also those whose element is B’s very homestead just as much as B’s & B’s fear being equally theirs more no less than ours or anybody else’s For this then is what most needs describing already from the first word fearing as words fear casting out letters here there lest all be lost which is not already a loss or worth the losing
Experimental Burrow B digs one. Obviously far from the real one, her entrance. B digs it B size. P & I observe that B seems to be digging our own graves quietly giggling nice & snug in our beds, lined & sealed of course with moss just like the real one is. Creeping in to close it, covering it completely B sleeps under B’s mossy ersatz blanket. Later, B patiently watches, B waits, B’s private vigilance long & short spells at every & any hour, day & night. We have seen this move in the past, being P & me. We wait nonetheless with great excitement for the instant, that moment, when B flings off the moss & rises from B’s experimental hole. It never disappoints. No, never. When B shares observations from the experiment, they are mixed, good & bad. So we debate, we weigh, we elaborate, we iterate, we play out different scenes, games & dramas with which forms, fits, matters, moorings, anchors & landings. All our rotting & obliging matters. Their magnetism & elasticity are exciting. When B looks with inattentiveness at the phrases we three find ourselves susceptible. Ungovernably fucked & happy. B pants, puffs, bustles. We ignore what we can’t contest. B’s observations from the burrow experiment always beyond yes or no. Akin to our game of plus & minus, bidding starts with an ask of or for, a bid as appeal. The game’s literally not possible or just the literal play for our snug hidden parts. Today we call our game: the Impasses. Here the pluses & minuses correlate nicely. Here the winner loses to win also nicely. Also known as the Game of Exceptions to Imaginary Problems & their Solutions. What a fellowship of anomalies we are, fellows, sitting around our experimental burrow, dot connecting like a discipline for living, from so & so to so & so, where self-explanation is thankfully nothing, where compulsive naming meets at a bull’s eye resisting determination, shadow explanations oscillating with wind-tossed moss & marginal details, & with the dust of worlds.
Bending Outside to In then Back It pleases B by equal measure to narrate who & what remains whose ruins what demise where faintness who murmurs without returning the remaining the detouring like echoes into winds like sighing at grief’s disposal that passivity I suggest while P nods assent to this abstention B prefers to decide upon what I never had to have & even had to abdicating long ago then the working out of abandoning of relinquishing that refusal that refuses to refuse But that’s not to B’s taste with these stores & piles to accord to reckon & to account Bent in reply B says let time take its time in a whisper B says the hours seduce our ears where hours separate the bones from us, that is the hours could destroy all with ease & everything without risk to what the hours are B leads by renunciation of B’s own, our us, arbitrarily altering plots to suit the ends likewise time’s & ours & here I lapse alongside my friend B to admire the theory brilliant & flimsy but then P summons me with an invitation not to be snubbed that is how denial precipitates the bones of catastrophes elaborated by B that detour to turn without return & I reply
The Enemy We agree B’s are myriad & we all affirm the enemies & their accomplices are still more numerous we admit are countlessly multiplying so that B becomes dizzy who in a rare retreat lapses alongside P & me where no alarm could alert us now May there be hours in which that enmity might be assuaged when B raises above destruction—moves sideways to harm—plays dead in an instant freezes to a marmoreal still But no we know false assurance is the greatest risk a threat greater than the multiple perils calculating & figuring together the enemies their allies accomplices in sum What profitless hope for steadfast protection if we were to be so assured & not in this half experiment half enigmatic ground when we three B, P, & I want only to watch over ourselves & over B, P, & me where we be omnia & omnis alternatingly
Cybele Lyle is a California-based artist whose installation, video and 2D work explores place and identity by reconstructing her surrounding architecture, interior spaces and natural environment. Cybele graduated from Oberlin College with a BA in Environmental Studies, then went on to get a BFA from California College of Arts and Crafts in Printmaking and an MFA in Painting/Combined Media from Hunter College in New York in 2007. She has held residencies at Ox-Bow, Project 387, Atlantic Center for the Arts, the Bemis Center for Contemporary Art, Recology, and the Headlands Center for the Arts. Her works have been exhibited across the United States including at the 205 Hudson St Hunter Gallery, New York; Bemis Center, Omaha; Oakland Museum, Yerba Buena Center for the Arts, San Francisco; Orange County Museum of Art, and Et al. gallery, San Francisco, among others. Cybele is a recipient of the Kala Fellowship, the Yozo Hamaguchi Printmaking award, and the Tony Smith Award. Cybele currently lives in Los Angeles and is represented by Et al. Gallery in San Francisco.
Jocelyn Saidenberg is a Bay Area writer, educator, and founding publisher of Krupskaya Books. She is the author of several collections of poetry and chapbooks, and in 2024 two books are forthcoming: If an Elsewhere, a collaboration with visual artist, Cybele Lyle, published by Kelsey Street Press, and Echo Otherwise: A Poetics of Sound and Loss in Ancient and Contemporary Poetry, published by Punctum Books.