Stacy Szymaszek
from ABOUT THE HOUSE The Studio the plants grow at strong angles toward what winter light staring at the wall of books starts mild vertigo an original floor board soft a snuggery for treasure the step stool creaks as do bending knees these lives are solitary but alive & polyphonic Monteverdi record sleeve hit the floor a day in December ghost train or a fact dropped pencils roll east gold upholstered chair hips inclined “how are your hips?” “mammoth-marrow” where I have soft reckonings the fifty-plus heart beneath this crepe chest so noticed this morning in the bathroom be not every bitter archer boy defending their legends The Living Room this is a film about the wheel of fortune (Elevator to the Gallows) Jeanne Moreau’s expression is the same before the police get wise and after I AM MAD the long takes encourage us to empathize with madness six days since the ball dropped in Time Square but you and I don’t count that way six days of French New Wave animate black and white photos of us in high school we are lovers on a spree for a day in 1986 therapeutic-watching of Cleo from 5 to 7 hate-watching Jules and Jim (mesmerized by the new presence of TV a motionless child on its lap life with TV resumes after a decade gap) it is absolutely necessary to die… for the lightning quick montage it performs on our lives! The Dining Room another smashed Radko ornament life-sized red onion this collection can’t continue too large for a miniature pine in a pot now in the bay of plants getting a second chance tall thin glass of amaro taken at the dining table has not yet aroused dreams of my dead as another poet said it could inherited dinnerware taking up a shelf where books would be could be a podium holding 2500+ pages of Leopardi’s collected notes badly coffee stained or whatever other book is on my mind this room is slow- ly breaking with histor- ical precedence TABLE: where’s my better half? one by one the chairs have marched to the attic the chairs gather there a weekly ghost oration CHAIRS: who my friends in New York? midway along the journey of our lice AMARO: dispel! dispel! it is safe to withdraw the movement of our hearts clear the way for what comes PODIUM: a natural course about the house (natural as defined by the widest part of you) The Ghost Poem I leave the lights on and my shoes on like my father I forget about daylight savings I yell at the oil man to stop if you require my subservience you’ll never see the inside of the house if every visit is an in- vasion… such a spirit won’t know the stair- case in the purple dark where the orchid hovers I remove the Civil Song broad- side from the hall and place it nearer the drip drip drip nearer the stereo if you are still seeing through org colored glasses I am unworkable I rest on a couch held up with bricks l sing ballads to help me shit The Basement going down for the shovel going down for the bag of salt the salt ended up being outside under the plastic bucket beneath the bag of soil going down for the ladder being careful to not hit my head going down for something else and noticing a collection of abandoned plastic sleds now that it has snowed + the small hill while I was down there I thought to read the oil gauge which said ¼ and it’s only January and miles to go while I was down there I felt afraid of the subterranean light modifying a wooden chest that says PAIN or PAINT if you can see a very faint T while I was down there I thought of Shirley Jackson’s mind and raced upstairs with the old mop and some batteries I’ll try again another day going down for the drill and the apron going down for something else and noticing an old pulley and rope and a pile of old doors to the house The Attic whatever optimism within released a clutch of balloons up to the peak of the roof while my feet release creaks this and that in reserve upon its wooden flanks the ones that aren’t upended in disrepair something of value lost for 20 years is found in a house I never lived in something of value cannot be found in the house I live in and it made my legs give out the lost valuable thing recovered the other thing now conceptualized as floating a thing with different terms for friendship
Stacy Szymaszek is the author of seven books of poetry and numerous chapbooks. Her most recent publications are The Pasolini Book (2022), Three Novenas (2022), and Famous Hermits (2023). The poems published here are from a manuscript entitled ABOUT THE HOUSE. Stacy lives and works in the Hudson Valley in New York. Visit her website at stacyszymaszek.org.